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LECTURERS
 
Robert Aitken (Staatliche Hochschule für Musik, Freiburg, and New Music Concerts, Toronto), Lutosławski as I knew him
Taylor Brook (Columbia University), Neoclassicism in Lutosławski’s Double Concerto
James Harley (University of Guelph), Lutosławski as Mentor
Chris Paul Harman (Schulich School of Music, McGill University), Strategies of Instrumentation and Orchestration in Lutosławski’s Cello Concerto
Lisa Jakelski (Eastman School of Music, University of Rochester), Witold Lutosławski and the Ethics of Abstraction
Marcin Krajewski (University of Warsaw), The Principle of Chromatic Density in the Late Music of Witold Lutosławski
Stanisław Krupowicz (Karol Lipiński Academy of Music in Wrocław), Witold Lutosławski - An Algorithmic Music Composer?
Charles Bodman Rae (Elder Conservatorium of Music, University of Adelaide), The Lutosławski Legacy
Duncan Schouten (Schulich School of Music, McGill University), Centrifugal and Centripetal Forces in Witold Lutosławski’s Chain 3
Maja Trochimczyk, Witold Lutosławski and musique concrete: The Technique of Sound Planes and Its Sources

 
 
 
 

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ORGANIZER:

WITH THE COOPERATION OF:


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Financial support: Ministry of Culture and National Heritage programme "Lutoslawski 2013 Promesa" realised by The Institute of Music and Dance. 


 
.. Polish Institute of Arts and 
Sciences in Canada
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LUTOSLAWSKI - MUSIC AND LEGACY, INTERNATIONAL CONFERENCE, MONTREAL, CANADA
POLISH INSTITUTE OF ARTS AND SCIENCES IN CANADA